Dharma Bums, On The Road Again...

The phrase "Dharma Bum" was coined by the Beat* writer, Jack Kerouac. Dharma is one of the most important words in the Hindu and Buddhist religions. Narrowly defined it means "your spiritual duty," or "your place in the universe." A Dharma Bum is a wanderer and a truth seeker, and in the case of Kerouac’s novel these divine vagabonds were bohemians, writers and artists who shunned the confines of society. This blog is about the sacred joys of painting and travel. 

A restless spirit, I've always found it difficult to work in a cubicle from 9-5. One of my most memorable jobs was with the DPW in the summer of '72. My days were spent riding around town in the back of a dump truck with 5 other teenagers, picking up trash in the local parks. Today most people would consider this court mandated, community service but for me it represented freedom.

Love Street Surf Shop by Eli Cedrone ©

Kerouac’s notion of the Dharma Bum could easily describe today’s generation of artists who travel the country participating in Plein Air events and teaching workshops. To outsiders this lifestyle may be viewed as eccentric but these painters are highly trained, well-organized professional artists. For many, this way of life can be creatively and financially rewarding.

St. Edwards, Palm Beach

So I’m boarding my Jet Blue flight for Palm Beach (with excruciating delay given the advanced age of most of the passengers). I’ll be gone for nearly a month; painting and teaching with a residency thrown in the middle so I can catch my breath. If like me, you've had days where you’re feeling old and travel seems best suited for the obscenely young, you’ll understand the need for the residency.

Painting on Worth Avenue, Palm Beach

My wall at the Plein Air Festival, Tequesta

First stop Tequesta, for the 4th Annual Plein Air Festival at the Lighthouse Art Center. This is my second invitation to the event so I see a lot of familiar faces - and some very talented painters. I’m in good company. The camaraderie amongst artists is historic and important for a number of reasons; a sharing of ideas, a competitive spirit and a chance to get out of the studio. These events also offer opportunities to get your work in front of new collectors and publishers. I sold a bunch of paintings and was awarded First Place by juror George Van Hook in the Quick Draw (artists must complete a painting on location in 2 hours.) A pretty blissful way way to end the week.

First Prize in the Quick Draw

My winning painting "Harborside" by Eli Cedrone

I was fortunate to have a week-long residency in Palm Beach and I had some time to do a little painting on my own. I love using small 6x8 panels for quick, field studies.

Painting at the Society of the 4 Arts, Palm Beach

Color study "Bougainvillea" by Eli Cedrone

Following my residency, I taught a 2-day workshop at the Lighthouse Art Center. The focus was on the fundamentals of figure drawing. We started with a lot of quick, gesture studies and I introduced a technique to simplify the figure in order to integrate them into landscape paintings. It was an amazing group of painters, many of whom had studied with me last year. Check out my website for workshops there in 2018.

The gang at the Lighthouse Art Center workshop

I’m traveling across Alligator Alley which coming from Boston, is a disturbing name for a highway. I have visions of being devoured by one of these prehistoric creatures. I’m also a bit unnerved by the fact that there are 20 people enrolled in my workshop at the Bonita Springs Center for the Arts, but that’s okay… I’ve totally got this.

I thought it would be brilliant to present a workshop on the techniques and methods of a variety of painters throughout history. In theory "Lesson’s from the Masters" was a great idea but it required a lot of “moving parts” in order to set up each day. The staff at the art center was heroic in this regard. I swear there are tiny elves on the payroll; each morning everything was in order... model stands, lighting, even hot coffee and pastries!

My demo at left, is a copy of a painting by Anders Zorn. The palette is limited to 3 greyscale values. I begin with the mid range value, eventually adding darks and lastly, the lights. The focus of this lesson is to paint correct value relationships and seeing in terms of "pixels" in order to render the fall of light and modeling of form.

The wonderful students at Art Center Bonita Springs

For me, the sacred joys of travel and painting are an act of self-actualization. Becoming your true potential is pretty rare in society. I guess that’s why there’s always this feeling that the daily grind police will catch up with me, and I’ll have to get a "real" job. But for now, I feel the pull of the north wind so I’m heading to Portugal to teach a week-long workshop in Casais and Sintra. Want to follow along? Just subscribe to my Art & Soul blog!

Some tips on how to begin your own creative journey…
Get a change of scenery with a quick, overnight painting trip to a new destination.
Visit the studio of other artists and explore a new medium or technique.
Take a course or workshop close to home without the cost of flights and hotels.

Indulge in some armchair travel with one of these great books…

- Art + Travel Europe: Museyon Guides, Step into the Lives of Five Famous Painters

- The Last Nude: Ellis Avery, Art Deco painter Tamara de Lempicka

- Kiki’s Paris: Billy Kluver, Artists & Lovers 1900’s
- Strapless: Deborah Davis, John Singer Sargent's Madame X
- The Moon and Sixpence: W. Somerset Maugham, Paul Gauguin in Tahiti
- And last but not least…
- On the Road by Jack Kerouac

*Beat (Beatitude): a state of utmost bliss

Surviving the Bermuda Triangle & painting in paradise...

Day one at the Botanical Garden

"I dream my paintings and I paint my dreams." It would seem Van Gogh had Bermuda in mind when he uttered these words. I just returned from teaching a workshop on this magical island and each day was an inspiration. The weather was perfect for outdoor painting except for the occasional passing clouds. Given the large group, I chose locations both for scenic beauty and their central location on the island with room to spread out. 

The workshop began at the Botanical Gardens with a lecture and demo on painting the nude and the outdoor figure. I explained the benefits of using a limited palette to create realistic flesh tones. A more chromatic palette was discussed when painting the live model in the afternoon sun. 

The following day we painted the landscape at the famous, Horseshoe Bay Cove. The location offered stunning views of aquamarine sea, pink sandy beaches, rock formations and plenty of cover from the sun. We had a great lunch at Whaler Inn where everyone enjoyed a Rum Swizzle - Bermuda's national drink - which I'm sure improved our paintings immensely!

Lunch at the Cabana

The group shows off their awesome paintings!

On our last day, we were invited to paint on the grounds of the Salt Kettle House. This little inn has been in operation since 1970. Salt Kettle is so named after the salt trade that existed between Bermuda and the Turks and Caicos Islands. The salt was delivered by ship and unloaded in the bay at the back of the Guest House - the bay is in the shape of a kettle, thus the name.  Parts of the Guest House are nearly 300 years old. The owner John was very hospitable, serving a lovely, afternoon tea and cookies to the group.

Winslow Homer painted this view from Salt Kettle

Winslow Homer was familiar with this scene. He painted Prudens Bay in 1899. The location offers views of boats and old houses on one side and a lovely inlet on the other. 

Tea is served!

Eli recommends Fairmont napkins for painting!

This year we were joined by a lot of Bermudian artists. They were so welcoming, offering rides to visiting artists and extending an invitation for an impromptu, farewell cocktail party. It was great making new friends and reconnecting with old. I'm already planning the next workshop for 2017, I hope you'll join us in Bermuda!

Farewell cocktails overlooking Salt Kettle. Thanks Jennifer!

Some comments by participants…

It was a fabulous time enjoyed all of it ...loved meeting the local Bermudians. You are a very energetic teacher and I can't wait to finish the paintings I started in Bermuda - thank you -thank you! Mary M.

Thank you for the great course, I really enjoyed it and very much appreciated your patience and inspiration in getting a novice through that post "Amazing' state! I am now encouraged to put in more time to painting - hopefully I will be much improved when you next visit  - may you come again in the not too distant future! Christine D.

Rum Swizzle Recipe

This is from Bermuda's famed Swizzle Inn.  Ingredients: 4 oz. dark rum, 4 oz. Barbados rum or amber rum, 2 oz. triple sec, juice from 2 lemons, 5 oz. pineapple juice, 5 oz. orange juice, 2 oz. simple syrup, 4 dashes Angostura bitters, crushed ice. Add all the ingredients and shake vigorously in a container until a frothing head appears. Strain into cocktail glasses and let the fun begin. Avoid riding moped!