How to Inflate Your Life Raft

Let me begin by saying that 2018 was the most challenging year of my life. Through a series of mind-expanding experiences and very difficult decisions, I made some big changes. The mind is a very flexible tool. A curious phenomenon takes place when we venture beyond our limitations. It's like pulling the cord on an inflatable life raft - once expanded it’s hard to shove it back into its original shape.

“Realism is not based on the way things are, but upon things as you see and feel them” – Charles Woodbury

Gallery One Seventeen, Hamilton Bermuda

View of Elbow Beach, Bermuda 11x14

The best gifts I've ever received have been questions I couldn’t dodge. Good questions are better than good answers, in that they give us purpose. I'll admit it, I’m a pleasure centered person, the fear of being uncomfortable is a very palpable thing. But my fear of failure is overshadowed by the realization that life is a gift, we have to make the most of it and not waste a moment. I took a leap of faith, chose the road less travelled and let the universe direct me with a trust in the knowledge that I’m not in the drivers seat as much as I'd like to believe.

“It’s easier to paint the angel’s feet in another’s masterwork than to discover where the angels live within yourself.” – Art and Fear

In many ways the creative process is a metaphor for life: it’s letting go of fear, trusting in our abilities, and accepting our “mistakes" with patience. It’s also about asking tough questions. It’s problem solving on a visual level and the reality that painting is not a mindless escape. It takes a highly evolved, series of mental maneuvers to create a great work. That being said, believing that every painting you make must be absolutely perfect is an unrealistic goal. You’re never going to achieve it, so you become too scared to even try. Instead of aiming for perfection, strive for every painting to teach you something and learn from your mistakes.

Hog Penny Pub, Bermuda 8x10

I spent a lot of time in Bermuda over the past year, teaching and painting.The most satisfying thing about teaching is that I get to help people step outside of their comfort zones and stray from their intellectual neighborhoods long enough to learn something new. The first challenge is to break down the psychological barrier that you must be born with the ability to draw or paint. Art is a universal language and it is so because it's the expression of the feelings of all men. The word ‘truth' is often used in the discussion of painting. It speaks of the creative process as a soulful act. The power of seeing the world in the most truthful of ways requires extraordinary intuition, an insight into subjects which are dark to ordinary vision. Creativity is about engaging with the world and awakening an emotion in ourselves and in the minds of others.

"Have no fear of perfection you'll never reach it" – Salvador Dali

One of the most talented artists I’ve had the pleasure to meet is Nancy Guzik (married to Richard Schmid, another huge influence). While painting together on a cold winter day in Brattleboro, Vermont she compared the process of painting to a horse race. It’s important to pace yourself; lay in a good foundation, maneuver through the painting with confidence and skill and hold back till the finish line is in sight. This resonated with me because as in life, I lack patience and want to get to the good stuff first. The creative process does not come easy, it takes real effort to move beyond mediocrity. As is the case with professional athletes, musicians and great artists, this “ease” comes from years of hard work and practice. Our ego wants it easy. In reality nothing worth doing ever is.

I hope you'll join me for a workshop in 2019. 

The next journey is a Brush with Portugal May 20-28th. 

Visit www.elicedrone.com for my workshop schedule in 2019

Bermuda Journal: Living life in reverse

“Most have two lives. The life we live, and the un-lived life within.

Between the two stands Resistance." ~ WH Murray

Bermuda Surf

This is a story about living life in reverse. After 35 years, countless adventures and living everywhere from Cannes to California, I’ve come full circle and find myself back on “de rock”. I’m speaking metaphorically about Bermuda. The island captured my heart the moment I flew over its azure waters and has held me in a magical embrace ever since. Fresh out of college, my first experience here was working in advertising. The tools of my trade were an e-xacto knife and a slide ruler rather than a paintbrush and palette. The opportunity to revisit Bermuda, to spend unfettered time exploring, painting and sharing what I’ve learned with others, has been a dream for some time. 

Firefly Cottage Devonshire

You are the traveler, you are the path, and you are the destination. Be careful never to lose the way to yourself. 

~ Shihab al-Din Yahya Suhrawardi

Sunrise North Shore Road, Bermuda

It’s been said that fear is the thief of dreams. Our weakness forms us even more than our strength. So my return is evidence that when you act from passion and commitment to an idea, then providence steps in. 

I owe a huge debt to my benefactor, Tom Butterfield, the founder of Masterworks Museum of Art. Mr. Butterfield had the vision to amass a collection of work from artists who for centuries found inspiration on this little gem in the Atlantic. The collection includes such luminaries as Winslow Homer, Georgia O’Keeffe, Marsden Hartley and Charles Demuth to name a few. https://www.bermudamasterworks.org

I have a mermaid soul…

The skies are ominous as I head out for an early morning of painting. Coming from Boston, I’m not very good at predicting the weather patterns here. Just as I set up, a massive front barrels through Hamilton Harbor. I think, “ok I can deal with this” and find cover under some palm trees. It all seems like an adventure until 30 minutes pass and my restless spirit gets the better of me. I climb onto my moped and ride through torrents of rain, sprays from passing cars add insult to injury and the water has managed to find places on my body that I didn’t know existed. 

My portable studio... painting at Devonshire Bay

Bermuda Plein Air Festival, Coral Beach

But it doesn’t matter because in spite of minor vexations, I keep having these serendipitous moments. The joy of getting lost on purpose is rewarded with spectacular views. I follow an unknown path and discover a jewel of scene. 

A big part of the experience is the people I meet while on location; an ex-marine shares with me his memories of Vietnam, the fishermen at Devonshire Dock with their strong Bermudian accents, good-natured banter and slang only a local can appreciate, bring a smile to my face. All are character studies, sketches for future paintings perhaps. 

"Snapper" cleaning fish at Devonshire Dock

The art of teaching…
Apart from my participation in the Plein Air Bermuda Festival, (thrilled to win an award for Best in Oils!) much of my time in Bermuda was spent teaching others the fundamentals of painting. I had the honor to work with truly gifted and giving people. Teaching ain’t easy and teaching art is even harder. First of all, talent is a myth. We aren’t born with talent, we develop skills over time through learning and practice.

My painting Coral Beach Club won Best in Oils

With Michael Harding, his wife and officials at City Hall Gallery

Repetition is the mother of learning, the father of action, 

and the architect of accomplishment.  

~ Zig Ziglar

Granaway Cottage

Genius is one percent inspiration and 

ninety-nine percent perspiration.

Many who’ve achieved greatness were failures in their youth. Einstein did so poorly in school that he nearly decided to drop out and sell life insurance. Steve Jobs was a college drop out. Deliberate practice produces a natural tendency. Love what you do and even on the worst days, try to remember that you gotta be able to stand being bad to paint anything good.

The Old Rectory, St. George's

Plein Air painters at Astwood Cove

The world of art is the place of the spirit’s freedom.

Hans Hofmann said “to simplify means to eliminate the unnecessary so that the necessary may speak. The artists eye sees simply; making patterns of light and shadow, forming motifs. 

As the sun creeps over the horizon illuminating all, I find inspiration in the simple things I see along my morning walk. I prefer the grittiness of my North Shore neighborhood to the pristine beaches of the south shore. The patina of time-worn surfaces, tired and crumbling homes giving up and settling back to the earth. There is no end to the adventures we can have if we keep our eyes open.

Early Morning North Shore

The urge to capture and hold onto a memory of light is always present. I ride through the night and feel an exhilaration of being close to the earth. The smell of the sea, perfumed wind in my hair, tree frogs singing. I cherish my time here - knowing that sometimes you never know the value of a moment until it becomes a memory.

Classes & Workshops at Masterworks Museum of Art

I’ll be teaching weekly classes as well as a two-day landscape and figure workshop on island in 2018. To learn more about the program click the link below or visit my website: http://www.elicedrone.com 

http://www.royalgazette.com/lifestyle/article/20171120/brushing-up-on-classic-methods

Painting at Pink Beach

The Bermuda Plein Air Festival on ZBM News:

https://www.facebook.com/zbmnews9/videos/1464650883571304/

Surviving the Bermuda Triangle & painting in paradise...

Day one at the Botanical Garden

"I dream my paintings and I paint my dreams." It would seem Van Gogh had Bermuda in mind when he uttered these words. I just returned from teaching a workshop on this magical island and each day was an inspiration. The weather was perfect for outdoor painting except for the occasional passing clouds. Given the large group, I chose locations both for scenic beauty and their central location on the island with room to spread out. 

The workshop began at the Botanical Gardens with a lecture and demo on painting the nude and the outdoor figure. I explained the benefits of using a limited palette to create realistic flesh tones. A more chromatic palette was discussed when painting the live model in the afternoon sun. 

The following day we painted the landscape at the famous, Horseshoe Bay Cove. The location offered stunning views of aquamarine sea, pink sandy beaches, rock formations and plenty of cover from the sun. We had a great lunch at Whaler Inn where everyone enjoyed a Rum Swizzle - Bermuda's national drink - which I'm sure improved our paintings immensely!

Lunch at the Cabana

The group shows off their awesome paintings!

On our last day, we were invited to paint on the grounds of the Salt Kettle House. This little inn has been in operation since 1970. Salt Kettle is so named after the salt trade that existed between Bermuda and the Turks and Caicos Islands. The salt was delivered by ship and unloaded in the bay at the back of the Guest House - the bay is in the shape of a kettle, thus the name.  Parts of the Guest House are nearly 300 years old. The owner John was very hospitable, serving a lovely, afternoon tea and cookies to the group.

Winslow Homer painted this view from Salt Kettle

Winslow Homer was familiar with this scene. He painted Prudens Bay in 1899. The location offers views of boats and old houses on one side and a lovely inlet on the other. 

Tea is served!

Eli recommends Fairmont napkins for painting!

This year we were joined by a lot of Bermudian artists. They were so welcoming, offering rides to visiting artists and extending an invitation for an impromptu, farewell cocktail party. It was great making new friends and reconnecting with old. I'm already planning the next workshop for 2017, I hope you'll join us in Bermuda!

Farewell cocktails overlooking Salt Kettle. Thanks Jennifer!

Some comments by participants…

It was a fabulous time enjoyed all of it ...loved meeting the local Bermudians. You are a very energetic teacher and I can't wait to finish the paintings I started in Bermuda - thank you -thank you! Mary M.

Thank you for the great course, I really enjoyed it and very much appreciated your patience and inspiration in getting a novice through that post "Amazing' state! I am now encouraged to put in more time to painting - hopefully I will be much improved when you next visit  - may you come again in the not too distant future! Christine D.

Rum Swizzle Recipe

This is from Bermuda's famed Swizzle Inn.  Ingredients: 4 oz. dark rum, 4 oz. Barbados rum or amber rum, 2 oz. triple sec, juice from 2 lemons, 5 oz. pineapple juice, 5 oz. orange juice, 2 oz. simple syrup, 4 dashes Angostura bitters, crushed ice. Add all the ingredients and shake vigorously in a container until a frothing head appears. Strain into cocktail glasses and let the fun begin. Avoid riding moped!

One's destination is never a place, but rather a new way of looking at things.

I’ve had a love affair with Bermuda for over 40 years and just returned from a week long art festival on island. A big part of Bermuda’s charm is its natural beauty and as an artist it represents a dramatic change of scenery from what I’m familiar with in Boston. Plein Air painting celebrates the making of art in the great outdoors. Visiting new places allows us to experience the world with a fresh eye and revitalizes our spirits. I’ve found that a radical change of scenery shakes up old ways of working and forces a reconsideration of seeing and interpreting the landscape.

"The purpose of the painter is simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It does not appeal to the moral sense. Its aim is not to instruct, not to edify, but to awaken an emotion.” George Inness

Local and visiting festival artists

Painting in Somerset Bermuda

The ultimate moveable studio!

National Gallery with Bill Hanbury (CEO of Tourism) and wife Valerie

The gala reception was held at the Bermuda National Gallery. Each artist had the opportunity to enter up to 6 paintings for the final exhibition. I have no idea how the committee managed to hang so many paintings in such a short time but they did a fantastic job! I'm very pleased that several of my paintings sold and I'm looking forward to exhibiting some of my work later this year on island. To read more about the festival visit:

http://www.bermudapleinair.com/plein-air-festival/meet-our-2015-winners/

Castle Point 11x14 Oil on linen

Ely's Harbour, 9x12 Oil on linen

Life begins at the end of your comfort zone

"Creating is honesty at its rawest form. How we respond to our surroundings and interpret those ideas is the basis for all art."

Madaket, 26x16 Available at Gallery Antonia

Painting class, 1950's

Artists & model, June 2015

Where did the summer go? A few months ago it stretched before me full of promise and the inspiration that comes from exploring new places. The life of the artist is a restless one and this summer was no exception. 

In early June, I was invited by artist, Paul Shulenberg to paint at the historic Hawthorne Barn in Provincetown, MA. The barn was built in 1907 and is a testament to the towns rich history and the illustrious artists who painted in the barn.  It was an honor and privilege to paint with such a fine group of artists and continue the legacy of Charles Hawthorne, the founder of the Cape School of Art.

North meets South in Gloucester, MA

From Cape Cod to Cape Ann... over 30 artists from the south of Boston enjoyed a day of plein air painting with members of the North Shore Arts Association. The weather was a bit of an issue but we had a great time painting on Rocky Neck and East Gloucester’s sparkling Smith Cove. 

In early summer I returned to Nantucket for a residency and stayed at the Century House Inn which is just a few blocks from the historic town. I took my moped on the ferry and it was a great way to explore, out-of-the-way places on the island. The weather was superb while painting in town one day I met Candace Lovely, a fellow Copley artist who invited me to paint at her "lobster shack". 

In August, Copley Society of Art held a special exhibition at the Cape Cod Museum; Structures & Remnants. I was unable to attend the reception but was happy to learn that my painting received a second place award. CoSo's annual Holiday Small Works will open with a reception on November 2. And lastly, the next time you're on the Cape visit Gallery Antonia in Chatham or check them out online to preview new paintings or for events this holiday season. 

Cool One, 8x8 Available at Copley Society

Mixologist, 6x6 available at Randy Higbee

I may not be rich but I feel like I’ve hit the lottery every day. Money can't compare to the riches of these boundless experiences. I can feel the winds of change stirring, which leads me to my next journey…

November 20-22, 2015
Bermuda Retreat
There's still time to join me for a unique experience... from the breathtaking beaches to alleyways of St. George’s - learn the fundamentals of painting the landscape. Price is only $1,200. all inclusive. Contact the studio to register or for more 

2016 Workshops:

Make an Emotional Statement with Painting

The Art Studio, CA 

January 15-17, 2016
Regsiter Now!

February 18-19, 2016
Painting the Figure
The Lighthouse Center for Art - Jupiter, FL
Register Now!

February 12-13, 2016
Painting the Figure
Delrey Center for Arts - Delrey, FL
Register Now!

Fortune favors the persistent...

Last weekend I taught a full day, landscape workshop in East Walpole with a group of very talented, extremely motivated and hard working, painters. It was a pretty rigorous program which began with making value studies in charcoal and oil. The idea was to work quickly and develop the underlying design on an abstract level. The second part of the day was devoted to color mixing, creating atmosphere and paint handling. Although we worked from photos, I think it’s important that students experience the spacial aspects of reality, so in the future they know how to integrate these effects when working from photos. I think everyone there would agree, there is great value in making value studies! 

My goal as an instructor is to give students a thorough understanding of the techniques of oil painting and how to interpret the landscape & figure while creating the illusion of reality and light. It’s important that what they learn dovetails with their own intrinsic, artistic identity and that they develop their own style with the goal being to transform any subject into a visual, poetic language. Below is a list of my workshop offerings this summer and 2016.

June 15, 2015  |  Painting the Figure - East Walpole, MA

10am-2pm  Fee: $75.

The focus will be on achieving accurate drawing and correct values; two of the most crucial aspects of representational painting. Other topics: gesture, form, varying edges expressively so that your painting has more vitality and understanding how to achieve pictorial unity. 

June 24, 2015  |  Painting the Landscape - Gloucester, MA

10am-2pm  Fee: $75.

There are no formulas to painting the landscape, we need to observe what happens in nature and respond with a knowledge of how to see color and value as a unit, and to transform paint into the language of light. 

June 27, 2015  |  Painting the Landscape - Marion, MA

10am-2pm  Fee: $75.

Learn to capture the scene before you with a simplified design and correct color relationships.

November 20-22, 2015  |  Bermuda Painters Retreat

Join me for a unique experience... from the breathtaking beaches of the South Shore to the winding alleyways of St. George’s - you'll learn the fundamentals of plein air painting while following in the footsteps of Winslow Homer and others. Contact the studio to register at: artfulhand@comcast.net

January, 2016 | Figure & Landscape - Laguna Beach, CA
Dates and location TBA

February 18-19, 2016  |  Painting the Figure - Jupiter, FL
Register here: http://www.lighthousearts.org/workshops.html

February, 2016  |  Painting the Figure - Naples, FL
Dates and location TBA